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I keep kicking, flipping tables, chosen and favored
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To be the greatest of all time, but you won geography lottery so Possibly, I was the one with components and properties The opening track, simply entitled “Big K.R.I.T.” launches into the frustrations that come from being one of the rap’s best talents born south of the Mason-Dixon: It’s huge, ambitious, and easily one of the best albums of 2017. But I’ll cross that burning bridge when I get to it.)īut despite this album’s heft it never drags, feeling like an epic coming-of-age blockbuster instead of a long, drawn-out BET Blackbuster cinema feature. (Something tells me that my Cousin Chris Brown won’t be as forgiving when he drops his FORTY-FIVE track double album next week. However, as Musiq Soulchild proved last month, it’s possible to create a two-disc set without overloading the listener. Unless you’re new around here, you probably know my stance on double albums – nine times out of 10, it’s a case of too much of a good thing. And the frustration that comes with being immensely talented yet constantly overlooked fuels 4eva Is A Mighty Long Time, a double album that wrestles with the duality of being a braggadocious, overachieving rap star and an insecure black man still searching for direction.
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His resume speaks for itself – does it REALLY matter that your 16-year-old sister couldn’t pick him out of a lineup? 4eva Is A Mighty Long Time (released October 27, 2017)īig KRIT is really tired of being rap’s most underrated artist.Ĭan you blame him? He’s dropped more than a dozen mixtape, at least one of which is in the conversation of greatest mixtape of all time (2011’s Return of 4eva if you’re keeping score), released two strong (albeit overlooked) studio albums, is one of the game’s most dynamic producers and is the heir apparent to the Southern rap throne.